The real estate client requested this be shot with an empty parking lot and a focus on this particular entrance. Using Canon’s 24-70mm f/2.8L II USM lens was ideal for this photo shoot.
The real estate client requested this be shot with an empty parking lot and a focus on this particular entrance. Using Canon’s 24-70mm f/2.8L II USM lens was ideal for this photo shoot.
It was a long climb to the perfect setting for this sunset wedding. The dogs did great! Wedding attendees helped carry photographic gear.
As the sun was setting we moved quickly to get the scenic shots.
This industrial photography project took two onsite sessions, and large acrylic products were also shot onsite using a white background, multiple soft boxes and light modifiers and shot with the Canon 24-70mm lens. The small precision hand tools were shot inhouse on white. The bokeh “hero shots” for the small tools were shot inhouse using a Canon EF100mm Macro IS USM Lens.
Reflective surfaces like acrylic and stainless steel require a lot of prep and set-up. Products must be thoroughly clean of fingers, dust and dirt.
The brushed stainless-steel finish had a beautiful warmth.
One cabinet’s interior (below) is stainless steel. The angle was the focal point for the customer, controlling the light made this shot beautiful.
The Hero Shots (ie bokeh) time for set-up is with both lighting due to the reflective surfaces and arranging the products for balance and visually attraction.
Once again, the brushed stainless steel required additional lighting. Due to the number of tools creating the depth of the bokeh needed extra time.
These micro tools are less than 3 inches each.
What a fabulous location photography shoot!! Not only was being inside a missile silo incredibly interesting, but these rescue trainers do amazing work training a range of professionals in the most frightening environments. On top of it these guys experience life not only noble and heroic, but few of us get to observe. It was a privilege to spend the day with them.
Dangling from a rope doesn’t seem to faze these guys. They are more fascinated with the metals and alloys used in their safety gear and tripods! Our photographer, while standing on a side rail, did ask if someone might hang on to him by his belt as he shot aiming 100+ feet down! Much laughter and great time!
Equipment used:
Canon 5d Mark III
Canon EF24-70mm f/2.8L II USM
Existing Light
This welcoming commercial property provided a number of scenic shots. We shot the interior rooms as well, but these show the gorgeous Arizona sun which proved the ideal lighting!
Equipment used:
Canon 5d Mark III
Canon EF24-70mm f/2.8L II USM
Natural Lighting
When you can’t see your hand in front of your face and no power outlet what are your best lighting options in a tunnel? It turns out Kubota builds a nice little diesel 4X4 cave crawler with powerful headlamps and a spotlight on top to handle all the photography lighting needs. This mine has been inactive for a time and was being inspected. It was a great photo shoot as long as you’re properly attired with heavy boots and safety gear. After 45 minutes of safety lecture we were ready to enter. Our first underground industrial photo shoot.
All the shots had to be staged due to the lack of professional lighting which meant the subjects had to hold still. The shutter speed was as low as 1/13 second and an ISO of 800 for most of the shots. We used a tripod for all shots. All shots are straight out of the camera. It was a great shoot!
Product photography on Amazon has required the product’s background to be pure white with a hex number of 255, 255, 255. This is still standard, but Amazon has broadened product images to include lifestyle photos and staging shots. These allow the seller to show their product in a setting it will be used (staging image) or a person interacting with the product (lifestyle image).
Our client needed his very small hidden camera in a staging setting, where from a distance it is unlikely to be easily seen and in multiple settings to show its diversity. In addition to stating the measurements in his product details he wanted a visual reference to show the size of his camera. For this purpose, he chose a silver dollar (top image).
The product and interior staging shots photos were shot using a Canon 100mm 2.8 macro lens with continuous fluorescent lighting. The exterior auto staged photo was shot with natural light, angling the car for optimum use of sunlight.
We shot a full line of industrial lighting products at the manufacturing plant. From overhead lighting you see in commercial retail stores and manufacturing plants to stylized industrial quality hanging pendant lights and solid metal exterior parking lot lights this was an extensive catalog. Some of the lighting products measured nearly 9 feet in length.
Shooting against a backdrop we used existing light which was a mix of tungsten and fluorescent light. We used a 5′ x 5′ scrim to soften the overhead skylight. By trial and error we shot with automatic exposure, viewed each product for accuracy and adjusted as needed to match our eye. Once we began photo editing we had a great reference which gave us a perfect color match. This was the most efficient way to shoot the products within an 8 hour day. Crucial to time management in a product shoot like this is having an employee of the client on hand to move product.
Lifestyle jewelry photos are a great asset to show off your jewelry collection and add “eye candy” to your website. Showing your jewelry worn breathes warmth and personal connection to your gemstone jewelry – rings, bracelets, earrings and necklaces. This session was shot at the jeweler’s store within a two hour window.
These lifestyle images were shot using a Paul C Buff Beauty Dish with a 20% grid using an Einstein studio flash, hand held reflector and a Canon 24-70 mm lens.
We also shot environmental jewelry product pieces in a couple of settings. Creating a stunning bokeh background to set off the sparkling gemstones.
A tight crop (below) brings the ring forward.
This diamond ring (below) was set into a succulent. We manipulated the image with photo editing to keep the focus on the ring. These product images were shot using a Rotolight and a 100mm 2.8 Canon lens.
There is a big product and there is a BIG product! Airplanes have beautiful design lines and beautiful paint jobs. They sparkle in the sunlight. Photographing large products means working in a large area, more importantly having staff to maneuver the airplane into the desired position of the photographer. Having a beautiful sunny day with cloudy blue skies makes the session wonderful!
To shoot the interior cockpit we covered the windshield with a tarp, squeezed into a tight cockpit and closed the doors to keep out the ambient light using only the glow of the instrument light panels. Using a tri-pod and the slowest shutter speed of the Canon 5d Mark III returned a beautiful shot.