Product Photographer in Tucson Arizona

We shot a full line of industrial lighting products at the manufacturing plant.  From overhead lighting you see in commercial retail stores and manufacturing plants to stylized industrial quality hanging pendant lights and solid metal exterior parking lot lights this was an extensive catalog.  Some of the lighting products measured nearly 9 feet in length.

Shooting against a backdrop we used existing light which was a mix of tungsten and fluorescent light. We used a 5′ x 5′ scrim to soften the overhead skylight.  By trial and error we shot with automatic exposure, viewed each product for accuracy and adjusted as needed to match our eye. Once we began photo editing we had a great reference which gave us a perfect color match.  This was the most efficient way to shoot the products within an 8 hour day.  Crucial to time management in a product shoot like this is having an employee of the client on hand to move product.

Industrial Hanging Pendant Lights

Product Photography in Tucson Arizona

Product Photography, Outdoor Umbrella

This product photography session was shot outside the manufacturing plant using the brilliant sunlight to work as our soft box. Blocking the light and positioning the full umbrella shot took a great amount of time during which the sun was shifting, but well worth the time. In post we extracted the product for a pure white background product shot. We used Canon’s 24-70mm lens for the top image. The second image (below) was shot with  Canon’s 70-200mm lens for a beautiful capture of the tighter shot. We used two 5′ x 5′ Matthews Silks 1.6 stops. One was used to block the sun and one placed behind the product.  This is an out of the camera image with no photo editing.

Phone Charging Station Product Photography

Business Photographer in Tucson Arizona

Business Photographer in Tucson, AZ
Douglas Simon Photography has relocated to Tucson, Arizona. We’re serving the Tucson and Phoenix area throughout Pima, Maricopa and Cochise counties.

We’ll be continuing to serve our California clients.

Many of our product photography clients are shipping their product lines to us and the rest of the process is the same using email/phone and digital transfer of images. We look forward to continuing our relationship with everyone. Of course, we can handle all your photo editing and composite photography needs.

If you have a need for onsite photography don’t hesitate to call or email with details as we will be returning to Southern California for photo and video sessions.

Please note our NEW phone: 520-367-4402

Our email address hasn’t changed.

We thank you all for your business over the years,
Doug & Brenda
Ph 520.367.4402
PO Box 23181
Tucson, AZ 85724-3181

Product on Black Acrylic

Product on Black Acrylic Staged

This innovative speaker design offers stunning sound.  The product photography needed to reflect the mood.

The photographer used two Arri 650T fresnel lights with 300 watt bulbs and two Matthews 48″ x 48″ artificial silk scrims, 1.6 stops.  Also used a Rotolight NEO matching the Arri tungsten temperature for the top of the speaker.
Canon 5D MarkIII
Canon 100mm 2.8 macro lens

We used a sheet of black acrylic to create a classic look.  There is nothing in the background, but shooting at a 9.0 aperture kept the product in sharp focus while turning the background completely black. This shot is straight out of the camera, no Photoshop adjustments or editing.

Speaker on Black

Simple Product Staging on Black Acrylic

The designer requested a size perspective so we added wine glasses for a simple staged product image.

Jewelry Lifestyle Photography

Lifestyle jewelry photos are a great asset to show off your jewelry collection and add “eye candy” to your website.  Showing your jewelry worn breathes warmth and personal connection to your gemstone jewelry – rings, bracelets, earrings and necklaces.  This session was shot at the jeweler’s store within a two hour window.
Lifestyle Jewelry Photography
These lifestyle images were shot using a Paul C Buff Beauty Dish with a 20% grid using an Einstein studio flash, hand held reflector and a Canon 24-70 mm lens.
Gemstone Necklace
We also shot environmental jewelry product pieces in a couple of settings. Creating a stunning bokeh background to set off the sparkling gemstones.
Environmental Jewelry Product Photos
A tight crop (below) brings the ring forward.
Jewelry Product Photography
This diamond ring (below) was set into a succulent. We manipulated the image with photo editing to keep the focus on the ring. These product images were shot using a Rotolight and a 100mm 2.8 Canon lens.

Environmental Product Photography

Large Product Photography

There is a big product and there is a BIG product!  Airplanes have beautiful design lines and beautiful paint jobs. They sparkle in the sunlight.  Photographing large products means working in a large area, more importantly having staff to maneuver the airplane into the desired position of the photographer.  Having a beautiful sunny day with cloudy blue skies makes the session wonderful!
Large Product Photography

To shoot the interior cockpit we covered the windshield with a tarp, squeezed into a tight cockpit and closed the doors to keep out the ambient light using only the glow of the instrument light panels.  Using a tri-pod and the slowest shutter speed of the Canon 5d Mark III returned a beautiful shot.

Airplane Cockpit

Flat Lay Product Photographer in Orange County

Flat Lay Product

For flat lay product photography an overhead camera rigging system with an HD monitor gives the Macro lens the flat, level shooting plane for tack sharp focus.  We lit using 2 soft boxes and a quarter stop 48 inch scrim with a 3rd flash behind.

Sequined Bikini Product Photorgapher

The sequins took a bit of light modifying, to maintain the jewel tones without blowing them out. We used foam core to create a box to channel the light.

Swimsuit Photographer

Flat lay product photography requires one essential tool for setup: pins.  Lots of pins, lots of foam-core layers and additional time.  Spandex can be a bit of a wrestle due to the elasticity, but pinning does the trick.

Cosmetic Product Photography

Cosmetic Product Photography

What began as 35 cosmetic products turned into a full line of 360 products for a full e-commerce website.  Using continuous lighting many shots needed stack focusing to provide crystal clear focus from front to back.  We used a Canon 100mm 2.8 macro L lens no more than 1 foot from the product and set the aperture at f8.

To create the shine on the brushes, lipsticks and other reflective products we used a variety of light modifiers (scrims) to create each gradient.

Color matching is always critical for e-commerce and requires special 2 fold attention – lighting the color consistently, then visually matching the product to the screen in post.  Though all monitors use RGB, not all monitors will display color the same. Things like graphics card, monitor drivers affect the actual display of color on every device. Despite knowing this shooting the products under strict lighting and visually color matching they will be consistent and you’ll minimize product return headaches when color is part of the buying decision.

Cosmetic Photography

See more product photography.

Cosmetic Line Photography

Pet Carrier Product Photography

Pet Carrier Product Photography

Our model was cooperative – AND cute!  The pine-cone was his choice-seems it’s a favorite.  For these pet carrier product lifestyle shots we used existing light, Canon Speedlites, the Canon 6D with ND filters with a Canon 24-70mm 2.8 L lens.

Lifestyle Photography

Lifestyle photography is helpful with products like carriers to show consumers the product “in action” and also to bring a human feel to the website.

Pet Product Photography

We also shot the full line of pet carriers products.  These carriers are collapsible, with multiple handles, straps, openings. We shot 5-6 angles of each carrier on white background.

Pearl Jewelry Photography

Pearl Jewelry Photography

Typically the proper way to shoot a product set up like this is to have 2 separate shots and composite these in Photoshop.  It’s impossible to properly exposure for the box and not blow out the white pearls. For this shoot we didn’t have time to remove the pearls as this was rush job.  We elevated the camera to a high angle using a macro lens, used an overhead diffused light source with a silk scrim. We used another light source in front – to highlight the front of the box and the top inside of the box.  Once we properly exposed the light we stack focused with about 20 shots from top to bottom.  We would like the box interior whiter, but couldn’t do it in the time we had, so this shot was usable.  Generally these types of jewelry shots require an enormous amount of time get the right lighting with the proper exposure.

Pearl Ring on White

We had enough time to properly execute this shot, which requires two separate set ups.  The first setup was to light and properly expose the ring.  We only used an overhead light source with a silk scrim for this, stack focusing with about 10 shots using a 2.8 macro lens.  For the second setup we removed the ring using three light sources for the outside and inside of the box.  We stack focused with about 10 images.  In Photoshop we put the two shots together achieving the whiter box interior.