Male Portrait Poses

Portrait Photography

Equipment used:
Paul Buff 86 inch PLM
PLM 7 feet back from subject with photographer in front of it
Einstein 640 Studio Flash
white sweep
Canon 6D, 35mm 1.4

Information on posing men for portraits is far less easy to find than posing women.  The male portrait is about capturing completely different traits.  Rather than cute or glamorous the male portrait is about strength, fitness, coolness, ease or likability.

Typically men need a purpose for their hands.  If not using their hands, they can get fidgety and feel uncomfortable.

This model was awkward smiling directly into the camera and as with most male clients: didn’t know what to do with his hands.  The photographer had him put one hand in a pocket, the other holding a pair of glasses.  The assistant was off to the side making the model laugh.  The photographer said, “When you start laughing look into the camera” and we got the shot.

Portrait Photography on White

Portrait Photography on White Background

This setting was chosen by the photographer to capture the subject, who is an artist, in a pensive mood while she creates.  This brings the focus to the face while keeping the body language central in the composition.

Using a white background for this portrait is all about bathing the subject in translucent white, having her melt into the surrounding white. To achieve this stunning effect requires a wash of light. The photographer used two Paul Buff 86 inch PLM soft silver with diffusion, lighting the sides and background; and a 64 inch PLM in front of the subject.  The light is critical to obtaining this elegant softness of light. This shot required no Photoshop.

Portrait Photography Composite

Composite Portrait Photography

This portrait was shot on a grey background on location. The simple staging of a coffee table gave nice foreground texture.  The light source was a Paul Buff 22 inch beauty dish with a grid.  This bounce flash light modifier is beautifully flattering to faces.

The photographer’s library of backgrounds is a collection of textured surfaces such as tin siding, stucco walls, weather beaten exterior house walls, stone surfaces, etc.  These he shoots specifically for this purpose of blending and layering to build up an artistic backdrop for a studio portrait.  The manipulating of these backgrounds takes place in Photoshop to his creative eye. This background was a composite of 2 backgrounds over the grey studio backdrop.

Read more on our website about backgrounds for portraits.

Portrait Photographer

Onsite Portrait Photographer

What goes into a portrait photography session?

This is an in-home session.  This small house had no background photographic opportunities.  The photographer created one from a set of window blinds. Despite looking like it was shot at sunset this is a staged shot-manipulating the background.  We created this effect by setting up tungsten lighting outside the window at night.  Adjusting the window shades for the precise bounce of light gave the photographer the control he wanted. Using a handheld flash allowed for exactness in adding the highlights to face and hair. Every angle and tilt of camera complete the composition of the subject.  Once softness and overall look was established to the photographer’s eye the session proceeds with multiple shots.  Finishing touches are completed in Photoshop for facial tone and minor touch-up.

Read more on our website about backgrounds for portraits.

Commercial Facility Photography

Industrial Warehouse Photography
Your typical three story industrial distribution warehouse building. Getting the exterior shot was the simplest part of this job, but the client installed a massive air conditioning system and wanted to capture the expanse of this project.

Distribution Warehouse Photographer
These air conditioning ducts are massive. This ended up being a pretty shot – architecturally speaking.Commercial Photographer
You can’t get this with your iPhone. Critical to my client were shots of the air ducts – which were 3 stories up, no ladder or lift system to get me close, and these ceilings were 80% dark.  The crew was laying in the ceiling panels as I worked staying ahead of them before the window to shoot was gone.  I used a 35 mm lens and metered for the darkness to achieve the results above.

Industrial Building Photography

Industrial Photography
This industrial air conditioning system sets on the roof of a massive distribution warehouse, three stories up with many, many units.  The only access to the roof was via an access ladder which is straight up the wall, with a platform halfway up and a safety fence encircling the ladder for the final climb.  And carrying a camera bag.Industrial Warehouse Photography

Portrait on White Background

A simple white background portrait can be turned into something dramatic and fun with a little editing. It’s all in the eye to showcase your product.

portrait-on-white-background

portrait-on-white-background-marketing-ad

A simple one light portrait using a Paul Buff 86″ PLM, in front of the model about 7′ back, with the photographer standing in front of the PLM, using an Einstein Studio Flash.

Canon 7D 35mm lens

White Background for Product Images

The explosion of Amazon as a marketplace has sent many sellers scrambling to meet the  “on white background” standard set for Amazon sellers. It can be frustrating because Amazon defines on-white as in RGB color 255, 255, 255.  The slightest off shade results in non-compliance.

There are two ways to achieve this pure white.  The best quality is to shoot the product on white and truly have it ON white, properly lit. Like this:

shoe product on white background

But what if your product is white?  If you try to shoot white on white (pure white) without professional setup equipment you’ll end up with little definition to your product.  There are techniques used by photographers one of which is using acrylic to give a suspended look to the product and flooding it with light resulting is a rich depth of white – on white.  Notice the sheen, the fibers of the nylon straps and the full out line of each product.  Like this:
White on White Product Photography

The other method of achieving a pure white background is using Photoshop to extract the product.  If you begin with a properly well-lit product and know you will finish the work in Photoshop this can result in getting more shots taken in your session time.  It’s a discussion to have with your client.  Extraction works for products with defined lines – fuzzy slippers will be more time consuming to extract.  As a photographer you need to budget your time, or you will spend more time in Photoshop than if you had properly lit the product to begin with. Bottom line: get a the best image with your camera and you can save time OR do the most in Photoshop.
T-shirts Extracted for White Background

Choosing Images for Your Website

Every business wants their website to reflect the best about their business.Your website is the cornerstone of your marketing. Every ad whether print or online directs potential clients to your website. Your business practices, expertise, standards and customer service all are contained on your website for visitors to review.

A well designed website with easy navigation is critical to the functionality of your site. The internet is a visual world and having professional photos can make all the difference. Visitors’ expectations are highly visual-raise the level of your website to keep them visually engaged, read your message and convert to a customer.  Read another opinion.  View our Business Gallery.

original photography versus stock photography

Why hire a professional photographer?

It’s tempting to pick up your cell and begin snapping photos of your business for your website.  Ten years ago this was acceptable for websites, but the internet is now a far more polished place and website visitors have a higher expectation of quality.

As a professional in your own business you understand the knowledge and experience it takes to deliver the quality service or products you sell.  When it comes to photographing your business, staff portraits or product photography you want a professional to deliver outstanding images to promote your business.  To expect your employees to be able to deliver images that a professional can is unrealistic.  There is a huge difference between a hobbyist and a professional.

A pro photographer uses professional cameras, lighting, backdrops and knows ways to manipulate light to capture the best photo of your products, facility or personnel.  A professional photographer will get to know your business and match the look and feel of your branding.  He’ll have suggestions for the best shots and composition bringing a creative artistic eye to your project.  Taking your vision of a project and delivering eye-catching photographs.

Most photos benefit from processing – however minimal a professional photographer’s eye preparing the images ensures superior quality. Take your business project to the next level use a professional for professional results.

catalog photography